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CCB shares its commitment to Culture for All on RFM

Rita Romão, member of the Board of Directors of the Centro Cultural de Belém Foundation, took part on 17 September in a special RFM broadcast dedicated to Cultura para Todos (Culture for All), as part of the programme “Sem Olhar a Quem”.

During the interview, Rita Romão discussed the work CCB has been developing in the area of accessibility, within the framework of the RE-VISITAR 2026–2030 Strategic Plan, in which hospitality plays a central role.

For CCB, accessibility is a prerequisite for everyone to participate, enjoy culture and feel expected. This commitment has been translated into concrete measures across its spaces, programming and engagement with different audiences.

From 11 accessible sessions held in 2025, CCB expects to increase this number to 16 in 2026 and 24 in 2027 — more than doubling the number in two years. For audio description, the number will more than triple, from 3 sessions in 2025 to 10 planned for 2027.

This work also extends to MAC/CCB, with Portuguese Sign Language tours and projects aimed at different audiences, as well as improvements to accessibility throughout the building.

CCB recognises that barriers remain and there is still work to be done. Beyond providing resources, the aim is to inform, welcome and ensure that everyone feels expected.

It is an ongoing process, guided by a clear principle: culture only happens when it reaches everyone.

 

Listen here to Rita Romão on RFM (interview in Portuguese).

 

 

 

MAC/CCB inaugurates the Guest Works of Mostra Espanha 2026

Today, MAC/CCB inaugurated the Guest Works of Mostra Espanha 2026, in the presence of Portugal’s Minister of Culture, Youth and Sport, Margarida Balseiro Lopes; Spain’s Minister of Culture, Ernest Urtasun Domènech; and the Director of the Fundación María José Jove Art Centre, Susana González.

 

Maruja Mallo’s Basuras (1930) and Naturaleza viva (1943) arrive in Lisbon following a major retrospective at the Museo Reina Sofía. Spanning decades and geographies—from the political turmoil of pre-war Madrid to the fullness of colour of the artist’s exile in Valparaíso—these works embody the theme of the 9th edition of Mostra Espanha: “Spain in Motion: Diversity and Sustainable Futures.”

 

At the same time, the Museu Nacional de Arte Contemporânea do Chiado is presenting Joaquín Sorolla’s Pescadoras valencianas, extending the Iberian dialogue that has been taking place since 2009.

 

Maruja Mallo’s works are on view on Floor 2 of MAC/CCB until 29 November.

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