Music

Amor Sin Pena – Língua e Memória na Música Ibérica do Século XVI

Name: Amor Sin Pena – Língua e Memória na Música Ibérica do Século XVI
Start: 2026-09-13T17:00:00+01:00
End: 2026-09-13T18:00:00+01:00
Location: Centro Cultural de Belém

Noa Noa Ensemble

Dates / Schedules

Small Auditorium

Ages

Prices

Dates / Schedules

Sunday, september 13 2026 5:00pm

Music

Música Renascentista

The third instalment of Noa Noa’s Língua project, Amor Sin Pena inaugurates a new series of dialogues between Iberian languages, proposing an intimate encounter between Portuguese and Castilian, where word and sound converge in a shared territory of resonances, tensions, and affinities.

Drawing on the Iberian repertoire of the sixteenth and seventeenth centuries—between courtly tradition and popular heritage—the programme explores songbooks and other musical sources that bear witness to the circulation of forms, themes, and sensibilities across the Iberian Peninsula. Voice and instruments create a space for listening in which the two languages reflect, influence, and transform one another.

The Centro Cultural de Belém Foundation reserves the right to collect, store and use recordings of image, sound and voice, for the purposes of dissemination and for preserving the memory of its cultural and artistic activities, as well as its spaces. Should you require any further information, please contact us at the following email address: privacidade@ccb.pt

Ages

Data sheet

Voice, Four-Course Viola de Mão and Adufe Filipe Faria
Vihuela and Baroque Guitar Tiago Matias
Percussion Baltazar Molina

Arrangements Filipe Faria and Tiago Matias

Programa

Luis de Narváez (c. 1500–c. 1547) Canción del Emperador (from Los seys libros del Delphín de música, Valladolid, 1538)
Anonymous (Idanha-a-Nova, Portugal) Virgem da Consolação
Anonymous Gavilão, gavilão branco (from Chansonnier Masson, Paris, Bibliothèque nationale de France, c. 1500–1520)
Anonymous (Sephardic Songbook) La rosa enflorece
Al-Andalus / Middle East (9th–10th centuries) Muwashah
Anonymous Enemiga le soy, madre (text by Juan del Encina (1468–1529/1530); from Cancionero Musical de Palacio, c. 1470–1520, Madrid, Biblioteca Real, MS II-1335)
Luis de Narváez (c. 1500–c. 1547) Guardame las vacas (from Los seys libros del Delphín de música, Valladolid, 1538)
Anonymous (Asturias) Ayer vite na fonte (from Canciones Populares de Asturias, Manuel del Fresno, Oviedo, 1931)
José Marín (?1618/19–1699) No piense Menguilla ya (from Tonos Humanos para Voz y Guitarra, Ms. MU 4-1958, Mu. Ms. 727, Fitzwilliam Museum, Cambridge)
Anonymous No val das mais belas (from Chansonnier Masson, Paris, Bibliothèque nationale de France, c. 1500–1520)
Gaspar Sanz (1640–1710) Folia (from Instrucción de música sobre la guitarra española, Zaragoza, 1674)
Juan del Encina (1468–1529/1530) Al alba venid (from Cancionero Musical de Palacio, c. 1470–1520, Madrid, Biblioteca Real, MS II-1335)
Anonymous Porque lloras, moro (from Chansonnier Masson, Paris, Bibliothèque nationale de France, c. 1500–1520)
Anonymous (Azores) Tanchão (from Portugal Raízes Musicais, José Alberto Sardinha, 1997)
Anonymous (Santander, Spain) Ay linda amiga
Alonso Mudarra (c. 1510–1580) Fantasia X, que contrahaze la harpa en la manera de Ludovico (from Tres libros de música en cifra para vihuela, Seville, 1546)
Anonymous (Sephardic Songbook) Una pastora yo amí

Prices and Discounts

Note: With reserved seats

Plant

Discounts

DISCOUNTS are only valid for CCB production and/or co-production shows and for tickets with a price above €12, with the exception of CCB cardholders, the discount is applied to values above €8.

50 % people with specific needs and free for accompanying person
50% for Arts and culture professionals
50% for unemployed
30% for CCB Card’s holders (individual, Senior, Youth and Family)
20% for people over 65 / for under 30s / students / for groups of more than 20 people

Tickets at €5 for Artistic Schools

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