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Dates / Schedules

Friday, 16th and 23rd January 2026 8:0pm

Saturday, 17th and 24th January 2026 7:00pm

Sunday, 18th and 25th January 2026 5:00pm

Theatre

TITUS is based on Titus Andronicus by William Shakespeare, one of his earliest tragedies, marked by extreme violence and by themes such as the trauma of war, the thirst for revenge, the relation to power, autocracy, misogyny, and the absence of limits in pursuing an end — whether political or personal.

Cátia Pinheiro and José Nunes join forces with Hugo van der Ding to revisit this work defined by excess — of violence, of blood, of desire for power — exploring its disturbing relevance in our time, when violence resurfaces with new faces, under authoritarian discourses of just war and peace imposed by force, and when violence becomes normalized as a way of resolving conflicts.

The timelessness of Titus Andronicus lies precisely in its ability to expose the darkest side of the human condition. Shakespeare, by placing violence at the heart of the drama, does not celebrate it — he reveals it. And in doing so, he invites us to recognize the echoes of that barbarity in our own time.

 

18 January – Post-show conversation with Maria Sequeira Mendes

 

Debate Echoes of Titus Andronicus: From Tragedy to Geopolitics
Joana Ricarte and Nuno Severiano Teixeira
Moderated by Rui Maria Pêgo

Thursday, 22 January at 7:00pm
Sala Sophia de Mello Breyner Andresen

Approximate duration: 60 min

Starting from the performance TITUS, inspired by Titus Andronicus by William Shakespeare, this conversation proposes a reflection on war, revenge, and the cycles of violence that run through history and persist in the present. Drawing on this Shakespearean tragedy—marked by excess violence, bloodshed, and a desire for power—the debate opens onto the contemporary conflicts that define our time, with particular attention to Gaza, Ukraine, and Sudan. Through a dialogue between art, critical thought, and political analysis, the discussion questions the trivialization of violence and the growing normalization of warlike rhetoric and actions in contemporary society, calling on theatre as a privileged space for thinking about the world and its open wounds.

Capacity 150 Participants
Free admission upon presentation of a ticket. Tickets will be available for collection two hours before the start of the debate (from 5:00 pm).

The Centro Cultural de Belém Foundation reserves the right to collect, store and use recordings of image, sound and voice, for the purposes of dissemination and for preserving the memory of its cultural and artistic activities, as well as its spaces. Should you require any further information, please contact us at the following email address:

Ages

+18

Data sheet

Directors Cátia Pinheiro and José Nunes
Adaptation Cátia Pinheiro, Hugo van der Ding, and José Nunes
Cast Cátia Pinheiro, João Nunes Monteiro, João Oliveira, Maria Inês Peixoto, Pedro Frias, Roldy Harrys, Rui Maria Pêgo, Tiago Jácome, Tita Maravilha, and Vicente Gil
Set Design Cátia Pinheiro and Igor Pittella
Lighting Design Daniel Worm d’Assumpção
Music and Sound Design Vasco Zentzua
Video Vasco Mendes
Costumes Jordann Santos
Video Participation Hugo van der Ding, Joana Ricarte and José Nunes
Creation Assistant Maria Inês Peixoto
Costume Assistant Beatriz Filomeno
Set Design Assistant Paulo Barbosa

Set Construction Igor Pittella and José Ribeiro
Scientific Consultancy Joana Ricarte
Dramaturgical Consultancy Maria Sequeira Mendes
Production Coordination Inês Carvalho e Lemos
Communication and Executive Production Romana Naruna

Press Relations Vanda Ribeiro
Co-production Estrutura, Centro Cultural de Belém, and Teatro Nacional São João
Acknowledgements Confederação and Hair Fusion Lisboa
Support República Portuguesa – Cultura, Juventude e Desporto / Direção-Geral das Artes

 

 

 

Photo ©José Caldeira

Prices and Discounts

Note: No reserved seats

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