    {"id":9285,"date":"2020-05-22T13:18:51","date_gmt":"2020-05-22T12:18:51","guid":{"rendered":"https:\/\/www.ccb.pt\/evento\/jean-louis-violeau\/"},"modified":"2023-03-23T15:56:41","modified_gmt":"2023-03-23T15:56:41","slug":"jean-louis-violeau","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/jean-louis-violeau\/","title":{"rendered":"Jean-Louis Violeau"},"content":{"rendered":"<p>It\u2019s the end of Fine Arts! It\u2019s the 1968\u2019s in France, enough imitation&#8230; Let\u2019s invent! What, where are we heading? We&#8217;ll see&#8230; There are still multiple directions, and the crossroads are sometimes dangerous. But what does it matter, these architects are young, and still strongly committed for the most part. Politically committed, to the left-wing of course, but inextricably drawn to theoretical renewal: it\u2019s time for speculative structuralism with its \u2018effect-ology\u2019, borrowing elements from both mathematical logic and linguistics. The youngest architects thus massively dismiss construction as part of a double-edged rejection: downwards (the lack of skills existing in large agencies) and upwards (the figure of the bourgeois architect). But denying one\u2019s identity as a \u2018traditional&#8217; architect does not signify a mass rejection of architecture. On the contrary, it is through a return to the project and the rediscovery of its own story that this generation will soon reach the limelight. Even if it is built primarily on rejection, no generation can crystallise without simultaneously creating an ideal and seeking to convey some of the references and representations shared.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s the end of Fine Arts! It\u2019s the 1968\u2019s in France, enough imitation&#8230; Let\u2019s invent! What, where are we heading? We&#8217;ll see&#8230; There are still multiple directions, and the crossroads are sometimes dangerous. But what does it matter, these architects are young, and still strongly committed for the most part. Politically committed, to the left-wing [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9255,"comment_status":"open","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[498],"tags_tema":[],"idades":[],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jean-Louis Violeau - Centro Cultural de Bel\u00e9m Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccb.pt\/en\/evento\/jean-louis-violeau\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Louis Violeau - Centro Cultural de Bel\u00e9m Foundation\" \/>\n<meta property=\"og:description\" content=\"It\u2019s the end of Fine Arts! It\u2019s the 1968\u2019s in France, enough imitation&#8230; Let\u2019s invent! What, where are we heading? We&#8217;ll see&#8230; There are still multiple directions, and the crossroads are sometimes dangerous. But what does it matter, these architects are young, and still strongly committed for the most part. 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