{"id":299493,"date":"2025-11-14T14:30:06","date_gmt":"2025-11-14T14:30:06","guid":{"rendered":"https:\/\/www.ccb.pt\/?post_type=tribe_events&#038;eventDate=2026-12-03#038;p=260223"},"modified":"2025-11-14T14:30:06","modified_gmt":"2025-11-14T14:30:06","slug":"exposicao-may-i-help-you-posso-ajudar-2026-12-03","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/exposicao-may-i-help-you-posso-ajudar\/2026-12-03\/","title":{"rendered":"May I Help You? Posso Ajudar?"},"content":{"rendered":"<p>A quest\u00e3o quotidiana \u00abPosso ajudar?\u00bb foi usada pela artista Andrea Fraser numa performance que abordava as complexas rela\u00e7\u00f5es institucionais no mundo da arte.<br \/>\nA pergunta dirige tamb\u00e9m um questionamento ao pr\u00f3prio museu: que tipo de ajuda \u00e9 realmente oferecida e que tipo de conex\u00e3o ainda \u00e9 poss\u00edvel esperar numa era de crescente fragmenta\u00e7\u00e3o, disson\u00e2ncia e imperman\u00eancia?<br \/>\nA exposi\u00e7\u00e3o toma como ponto de partida cinco d\u00e9cadas de produ\u00e7\u00e3o art\u00edstica, da d\u00e9cada de 1970 em diante, e inclui obras de 90 artistas, por exemplo, Ad Minoliti (no hall do museu), Alberto Carneiro, Carla Filipe, Doris Salcedo, Helena Almeida, Gabriel Abrantes, Gilbert &amp; George, Jeff Koons, J\u00falia Ventura, Kara Walker e Richard Serra, entre muitos outros. As obras pertencem \u00e0s cole\u00e7\u00f5es em dep\u00f3sito no MAC\/CCB (Berardo, Cole\u00e7\u00e3o de Arte Contempor\u00e2nea do Estado, Holma\/ Ellipse e Teixeira de Freitas), contando tamb\u00e9m com novas encomendas a artistas portugueses.<\/p>\n<p>&nbsp;<\/p>\n<p>Curadoria<strong>\u00a0Nuria Enguita e Marta Mestre<br \/>\n<\/strong>Assessoria curatorial<strong> Raphael Fonseca (Denver Art Museum)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>A exposi\u00e7\u00e3o <strong>\u00abMAY I HELP YOU? POSSO AJUDAR?\u00bb Artes e artistas da d\u00e9cada de<\/strong> <strong>1970 em diante<\/strong>, inspirada pela performance hom\u00f3nima de Andrea Fraser, exp\u00f5e a diversidade de representa\u00e7\u00f5es, presen\u00e7as e narrativas no campo art\u00edstico, questionando a ideia de uma dire\u00e7\u00e3o \u00fanica nas hist\u00f3rias da arte. Partindo de di\u00e1logos entre obras atrav\u00e9s das \u00faltimas cinco d\u00e9cadas, esta exposi\u00e7\u00e3o investiga o que os artistas s\u00e3o e fazem, e os pap\u00e9is sociais que imaginam para si. Desde as ruturas em rela\u00e7\u00e3o \u00e0 pr\u00f3pria defini\u00e7\u00e3o de arte, nos anos \u201870, at\u00e9 \u00e0 acelerada digitaliza\u00e7\u00e3o do presente, a exposi\u00e7\u00e3o coloca em \u00eanfase formatos, fun\u00e7\u00f5es e intensidades heter\u00f3clitas. &#8211; <\/em><strong>Nuria Enguita <\/strong>Curadora da exposi\u00e7\u00e3o e diretora art\u00edstica do MAC\/CCB<\/p>\n<p>&nbsp;<\/p>\n<p>Artistas:<\/p>\n<p>Gabriel <strong>Abrantes<\/strong>, Helena <strong>Almeida<\/strong>, Giovanni <strong>Anselmo<\/strong>, Robert <strong>Barry<\/strong>, Taysir <strong>Batniji<\/strong>, Lothar <strong>Baumgarten<\/strong>, Bernd &amp; Hilla <strong>Becher<\/strong>, Sara <strong>Bich\u00e3o<\/strong>, Irma <strong>Blank<\/strong>, Alighiero <strong>Boetti<\/strong>, Christian <strong>Boltanski<\/strong>, Olaf <strong>Breuning<\/strong>, Daniel <strong>Buren<\/strong>, Alberto <strong>Carneiro<\/strong>, Gabriel <strong>Chaile<\/strong>, Adriano <strong>Costa<\/strong>, Jim <strong>Dine<\/strong>, Jimmie <strong>Durham<\/strong>, Carla <strong>Filipe<\/strong>, Fischli &amp; <strong>Weiss<\/strong>, Dan <strong>Flavin<\/strong>, Fernanda <strong>Fragateiro<\/strong>, Andrea <strong>Fraser<\/strong>, Gilbert &amp; <strong>George<\/strong>, Simryn <strong>Gill<\/strong>, Fernanda <strong>Gomes<\/strong>, F\u00e9lix Gonz\u00e1lez-<strong>Torres<\/strong>, Dan <strong>Graham<\/strong>, Hans <strong>Haacke<\/strong>, David <strong>Hammons<\/strong>, Ana <strong>Hatherly<\/strong>, Mona <strong>Hatoum<\/strong>, Kiluanji Kia <strong>Henda<\/strong>, Thomas <strong>Hirschhorn<\/strong>, Jenny <strong>Holzer<\/strong>, Rebecca <strong>Horn<\/strong>, Sanja <strong>Ivekovi\u0107<\/strong>, Ana <strong>Jotta<\/strong>, Donald <strong>Judd<\/strong>, Mike <strong>Kelley<\/strong>, Yazan <strong>Khalili<\/strong>, Jeff <strong>Koons<\/strong>, Joseph <strong>Kosuth<\/strong>, Jannis <strong>Kounellis<\/strong>, Barbara <strong>Kruger<\/strong>, Louise <strong>Lawler<\/strong>, Sol <strong>LeWitt<\/strong>, Glenn <strong>Ligon<\/strong>, Jo\u00e3o <strong>Mar\u00e7al<\/strong>, Agnes <strong>Martin<\/strong>, Cildo <strong>Meireles<\/strong>, Mario <strong>Merz<\/strong>, Ad <strong>Minoliti<\/strong>, Matt <strong>Mullican<\/strong>, Bruce <strong>Nauman<\/strong>, Senga <strong>Nengudi<\/strong>, Chris <strong>Ofili<\/strong>, Gabriel <strong>Orozco<\/strong>, Dami\u00e1n <strong>Ortega<\/strong>, Pino <strong>Pascali<\/strong>, Silvestre <strong>Pestana<\/strong>, Raymond <strong>Pettibon<\/strong>, Antonio <strong>Pichill\u00e1<\/strong>, Sandra <strong>Poulson<\/strong>, Robert <strong>Rauschenberg<\/strong>, Doris <strong>Salcedo<\/strong>, Alan <strong>Saret<\/strong>, Juli\u00e3o <strong>Sarmento<\/strong>, Allan <strong>Sekula<\/strong>, Richard <strong>Serra<\/strong>, Jim <strong>Shaw<\/strong>, Susana <strong>Solano<\/strong>, Haim <strong>Steinbach<\/strong>, Frank <strong>Stella<\/strong>, Wolfgang <strong>Tillmans<\/strong>, Rosemarie <strong>Trockel<\/strong>, Jo\u00e3o Pedro <strong>Vale<\/strong> + Nuno Alexandre <strong>Ferreira<\/strong>, J\u00falia <strong>Ventura<\/strong>, V\u00eddeo nas <strong>Aldeias<\/strong>, Kara <strong>Walker<\/strong>, Franz <strong>West<\/strong>, <strong>Yonamine<\/strong>, Bruno <strong>Zhu<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.ccb.pt\/evento\/visitas-guiadas-a-exposicao-2-museu-mac-ccb\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0000ff;\">Visitas \u00e0s exposi\u00e7\u00f5es<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A quest\u00e3o quotidiana \u00abPosso ajudar?\u00bb foi usada pela artista Andrea Fraser numa performance que abordava as complexas rela\u00e7\u00f5es institucionais no mundo da arte. A pergunta dirige tamb\u00e9m um questionamento ao pr\u00f3prio museu: que tipo de ajuda \u00e9 realmente oferecida e que tipo de conex\u00e3o ainda \u00e9 poss\u00edvel esperar numa era de crescente fragmenta\u00e7\u00e3o, disson\u00e2ncia e [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":272899,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"on","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[400,565],"tags_tema":[],"idades":[],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>May I Help You? 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