    {"id":296311,"date":"2026-06-18T08:00:01","date_gmt":"2026-06-18T07:00:01","guid":{"rendered":"https:\/\/www.ccb.pt\/evento\/trio-fantasma-de-beethoven\/"},"modified":"2026-07-27T12:42:37","modified_gmt":"2026-07-27T11:42:37","slug":"trio-fantasma-de-beethoven","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/trio-fantasma-de-beethoven\/","title":{"rendered":"Beethoven\u2019s Piano Trios"},"content":{"rendered":"<p>Beethoven\u2019s Piano Trios Op. 11 and Op. 70, No. 1 reveal two very different moments in the composer\u2019s creative journey. Written around a decade apart, these works trace the transformation of a young composer absorbing the conventions of his time into an<\/p>\n<p>artist who would redefine the boundaries of musical language. The Piano Trio Op. 11, known as the <em>Gassenhauer<\/em>, is built around a popular melody, resulting in a work distinguished by its elegance, wit, and virtuosity. By contrast, the Piano Trio Op. 70, No. 1, nicknamed the <em>Ghost<\/em>, ventures into more intense and unsettling expressive territory, foreshadowing characteristics that would later become hallmarks of nineteenth-century Romanticism. Presented together, these two trios offer a compelling portrait of Beethoven\u2019s extraordinary capacity for reinvention and invite audiences to follow the evolution of one of the most influential voices in the history of music.<\/p>\n<p>&nbsp;<\/p>\n<p>A concert with commentary by <strong>Alexandre Delgado<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><br \/>\nEl Corte Ingl\u00e9s supports the CCB&#8217;s Classical Music Mediation Programme. \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beethoven\u2019s Piano Trios Op. 11 and Op. 70, No. 1 reveal two very different moments in the composer\u2019s creative journey. Written around a decade apart, these works trace the transformation of a young composer absorbing the conventions of his time into an artist who would redefine the boundaries of musical language. The Piano Trio Op. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":290016,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"on","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[718,590,23],"tags_tema":[],"idades":[392],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Beethoven\u2019s Piano Trios - Centro Cultural de Bel\u00e9m Foundation<\/title>\n<meta name=\"description\" content=\"Um retrato da extraordin\u00e1ria capacidade de reinven\u00e7\u00e3o de Beethoven, que convida a acompanhar a 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