    {"id":294600,"date":"2026-06-18T11:09:41","date_gmt":"2026-06-18T10:09:41","guid":{"rendered":"https:\/\/www.ccb.pt\/evento\/the-dog-days-are-over-2-0\/?eventDate=2026-09-20"},"modified":"2026-07-09T12:46:40","modified_gmt":"2026-07-09T11:46:40","slug":"the-dog-days-are-over-2-0-2026-09-20","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/the-dog-days-are-over-2-0\/2026-09-20\/","title":{"rendered":"The Dog Days Are Over 2.0"},"content":{"rendered":"<p>Created by Jan Martens in 2014 and restaged in 2025 with a new cast, <em>THE DOG DAYS ARE OVER<\/em> has become one of the Belgian choreographer\u2019s most iconic works, following an extensive international tour of more than one hundred performances. Inspired by photographer Philippe Halsman\u2019s assertion that the act of jumping causes the social mask to fall away, revealing a person\u2019s true identity, the piece uses the jump as both a choreographic and human device.<\/p>\n<p>On stage, eight dancers take on a rigorous, mathematical, and intensely demanding choreography built around continuous sequences of jumps performed in apparent unison. Through repetition, exhaustion, and physical endurance, the performers strive to maintain precision and synchronisation, yet inevitably reveal vulnerability, effort, and individuality.<\/p>\n<p>Through its radical form and the physical intensity it demands of its performers, the piece questions the relationship between art and entertainment, as well as the audience\u2019s gaze upon the suffering and exposure of bodies on stage. More than a decade after its premiere, the question posed by Jan Martens remains as relevant as ever: to what extent does the spectator consume physical exertion as spectacle?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Created by Jan Martens in 2014 and restaged in 2025 with a new cast, THE DOG DAYS ARE OVER has become one of the Belgian choreographer\u2019s most iconic works, following an extensive international tour of more than one hundred performances. Inspired by photographer Philippe Halsman\u2019s assertion that the act of jumping causes the social mask [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"on","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[718,596,23],"tags_tema":[],"idades":[392],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Dog Days Are Over 2.0 - Centro Cultural de Bel\u00e9m Foundation<\/title>\n<meta name=\"description\" content=\"Entre repeti\u00e7\u00e3o, exaust\u00e3o e resist\u00eancia, corpos procuram manter a precis\u00e3o e a sincroniza\u00e7\u00e3o, mas acabam por revelar fragilidade, esfor\u00e7o e individualidade.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccb.pt\/en\/evento\/the-dog-days-are-over-2-0\/2026-09-20\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Dog Days Are Over 2.0 | CCB\" \/>\n<meta property=\"og:description\" content=\"Entre repeti\u00e7\u00e3o, exaust\u00e3o e resist\u00eancia, corpos procuram manter a precis\u00e3o e a sincroniza\u00e7\u00e3o, mas acabam por revelar fragilidade, esfor\u00e7o e individualidade.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ccb.pt\/en\/evento\/the-dog-days-are-over-2-0\/2026-09-20\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Cultural de Bel\u00e9m Foundation\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-09T11:46:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2026\/05\/2000x940_TheDogDaysAreOver.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"940\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"The Dog Days Are Over 2.0 | CCB\" \/>\n<meta name=\"twitter:description\" content=\"Entre repeti\u00e7\u00e3o, exaust\u00e3o e resist\u00eancia, corpos procuram manter a precis\u00e3o e a sincroniza\u00e7\u00e3o, mas acabam por revelar fragilidade, esfor\u00e7o e individualidade.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2026\/05\/2000x940_TheDogDaysAreOver.jpg\" \/>\n<meta name=\"twitter:site\" content=\"@macccb_museu\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/the-dog-days-are-over-2-0\/2026-09-20\/\",\"url\":\"https:\/\/www.ccb.pt\/en\/evento\/the-dog-days-are-over-2-0\/2026-09-20\/\",\"name\":\"The Dog Days Are Over 2.0 - 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