{"id":255676,"date":"2025-09-12T08:37:49","date_gmt":"2025-09-12T07:37:49","guid":{"rendered":"https:\/\/www.ccb.pt\/?post_type=tribe_events&eventDate=2026-01-10#038;p=245538"},"modified":"2026-01-05T11:29:22","modified_gmt":"2026-01-05T11:29:22","slug":"lacrima-2026-01-10","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/lacrima\/2026-01-10\/","title":{"rendered":"LACRIMA"},"content":{"rendered":"

\u201c…lots of invisible work, much of it underpaid and done in poor conditions, goes into a fashion statement.\u201d
\nThe New York Times <\/strong><\/p>\n

 <\/p>\n

“Admirablement construit, mis en sc\u00e8ne, sc\u00e9nographi\u00e9 et interpr\u00e9t\u00e9, Lacrima vous happe d\u00e8s les premi\u00e8res secondes et ne vous l\u00e2che plus durant les trois heures.”
\nLe Figaro <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u201cThis is a monumental, magnetic production.\u201d
\nThe Guardian<\/strong><\/p>\n

 <\/p>\n

\u00abCaroline Guiela Nguyen pr\u00e9f\u00e8re les gens de l\u2019ombre, le petit peuple des invisibles qui, gr\u00e2ce \u00e0 elle, acc\u00e8dent, au th\u00e9\u00e2tre, \u00e0 des existences dignes de ce nom.\u00bb
\nLe Monde<\/strong><\/p>\n

 <\/p>\n

London, 2025, the Princess of England announces her engagement. Our story begins when representatives of her Highness contact a venerable French fashion house located at number 8, rue du march\u00e9 Saint-Honor\u00e9 in Paris, to place an order for a wedding gown.<\/p>\n

The show will follow the making of the royal commission, as it passes from expert hand to expert hand. Over 8 months, and the equivalent of 9 057 work hours, we will see the creative acts that bring into being a dress already destined to go down in history. A rare privilege, as the whole process is bound by the strictest codes of confidentiality. If the world of high fashion is habitually secretive, the nature of the commission has put everyone on red alert.<\/p>\n

From a Parisian house of haute couture, we venture to an embroidery workshop in Mumbai and a traditional lace -making workshop in Alen\u00e7on, France.<\/p>\n

Three worlds, linked by their work, high level of expertise and secrecy.<\/p>\n

Three workshops where violence will erupt among the threads of cotton and flax.<\/p>\n

Three workshops where the bodies of men and women have been ruined not only by labour, but also by past wrongs of which they are the unwitting, even unknowing,<\/p>\n

custodians.<\/p>\n

Without ever losing sight of the expertise these craftsmen and women wield, or the power and knowledge they have in their hands, the question the show will ask, over and over, is if there is a space, in the silence the secret imposes, between what destroys us and what preserves us?<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c…lots of invisible work, much of it underpaid and done in poor conditions, goes into a fashion statement.\u201d The New York Times   “Admirablement construit, mis en sc\u00e8ne, sc\u00e9nographi\u00e9 et interpr\u00e9t\u00e9, Lacrima vous happe d\u00e8s les premi\u00e8res secondes et ne vous l\u00e2che plus durant les trois heures.” Le Figaro \u00a0 \u201cThis is a monumental, magnetic […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"on","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[694,23,592],"tags_tema":[],"idades":[492],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"\nLACRIMA - 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