    {"id":243834,"date":"2025-08-20T15:19:46","date_gmt":"2025-08-20T14:19:46","guid":{"rendered":"https:\/\/www.ccb.pt\/evento\/conferencia-primitivos-em-paris-modernos-no-brasil\/"},"modified":"2025-10-07T11:14:24","modified_gmt":"2025-10-07T10:14:24","slug":"primitives-in-paris-moderns-in-brazil","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/","title":{"rendered":"Primitives in Paris, Moderns in Brazil"},"content":{"rendered":"<p>The question of primitivism has returned with force in the 21st century, entangled with contemporary debates around counter-coloniality. <em>A negra<\/em> (1923), by Tarsila do Amaral, is today a source of controversy for its problematic depiction of a racialised body. At the time, however, it was intended as a statement of modernity. Painted in Paris, the work was part of a broader effort to gain recognition for Brazilian art in the French capital.<\/p>\n<p>This talk focuses on the attempts made by certain Brazilian artists and intellectuals\u2014most notably Tarsila and Vicente do Rego Monteiro\u2014to gain a foothold in Parisian artistic circles. Both engaged with the then-fashionable idea of primitivism as a route to legitimacy and acclaim. Upon returning to Brazil, they repositioned themselves as exponents of a forward-looking modernism. By unpacking the strategies they employed and highlighting both similarities and differences, we can better understand the dialectic between primitivism and cosmopolitanism. Particular attention is given to the <em>Pau Brasil<\/em> movement, emphasising its conceptual specificity as a challenge to coloniality.<\/p>\n<p>Organised by MAC\/CCB in collaboration with the Institute of Art History, NOVA FCSH.<\/p>\n<p>&nbsp;<\/p>\n<p>With <strong>Rafael Cardoso<\/strong>, art historian and author of <em>Modernidade em preto e branco: Arte e imagem, ra\u00e7a e identidade no Brasil, 1890\u20131945<\/em> (2022).<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff;\"><span style=\"color: #000000;\">As part of the exhibition <\/span><em><a style=\"color: #0000ff;\" href=\"https:\/\/www.ccb.pt\/en\/evento\/an-atlantic-drift-20th-century-art-from-the-berardo-collection\/2025-08-30\/\" target=\"_blank\" rel=\"noopener\">An Atlantic Drift. The arts of the 20th century based on the Berardo Collection<\/a><\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The question of primitivism has returned with force in the 21st century, entangled with contemporary debates around counter-coloniality. A negra (1923), by Tarsila do Amaral, is today a source of controversy for its problematic depiction of a racialised body. At the time, however, it was intended as a statement of modernity. Painted in Paris, the [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":243832,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"on","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[694,646,661,565],"tags_tema":[],"idades":[578],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Primitives in Paris, Moderns in Brazil - Centro Cultural de Bel\u00e9m Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Primitives in Paris, Moderns in Brazil - Centro Cultural de Bel\u00e9m Foundation\" \/>\n<meta property=\"og:description\" content=\"The question of primitivism has returned with force in the 21st century, entangled with contemporary debates around counter-coloniality. A negra (1923), by Tarsila do Amaral, is today a source of controversy for its problematic depiction of a racialised body. At the time, however, it was intended as a statement of modernity. Painted in Paris, the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Cultural de Bel\u00e9m Foundation\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-07T10:14:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2025\/08\/2000x940_RafaelCardoso.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"940\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@macccb_museu\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/\",\"url\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/\",\"name\":\"Primitives in Paris, Moderns in Brazil - Centro Cultural de Bel\u00e9m Foundation\",\"isPartOf\":{\"@id\":\"https:\/\/www.ccb.pt\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2025\/08\/2000x940_RafaelCardoso.jpg\",\"datePublished\":\"2025-08-20T14:19:46+00:00\",\"dateModified\":\"2025-10-07T10:14:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/#primaryimage\",\"url\":\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2025\/08\/2000x940_RafaelCardoso.jpg\",\"contentUrl\":\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2025\/08\/2000x940_RafaelCardoso.jpg\",\"width\":2000,\"height\":940,\"caption\":\"Rafael Cardoso\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.ccb.pt\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Eventos\",\"item\":\"https:\/\/www.ccb.pt\/eventos\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Primitives in Paris, Moderns in Brazil\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ccb.pt\/#website\",\"url\":\"https:\/\/www.ccb.pt\/\",\"name\":\"Centro Cultural de Bel\u00e9m Foundation\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.ccb.pt\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.ccb.pt\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ccb.pt\/#organization\",\"name\":\"Centro Cultural de Bel\u00e9m Foundation\",\"url\":\"https:\/\/www.ccb.pt\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.ccb.pt\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2022\/05\/1_ccb.png\",\"contentUrl\":\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2022\/05\/1_ccb.png\",\"width\":126,\"height\":100,\"caption\":\"Centro Cultural de Bel\u00e9m Foundation\"},\"image\":{\"@id\":\"https:\/\/www.ccb.pt\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/twitter.com\/macccb_museu\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Primitives in Paris, Moderns in Brazil - Centro Cultural de Bel\u00e9m Foundation","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.ccb.pt\/en\/evento\/primitives-in-paris-moderns-in-brazil\/","og_locale":"en_US","og_type":"article","og_title":"Primitives in Paris, Moderns in Brazil - Centro Cultural de Bel\u00e9m Foundation","og_description":"The question of primitivism has returned with force in the 21st century, entangled with contemporary debates around counter-coloniality. 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