{"id":17651,"date":"2020-09-30T08:25:44","date_gmt":"2020-09-30T07:25:44","guid":{"rendered":"https:\/\/www.ccb.pt\/?post_type=tribe_events&#038;p=17651"},"modified":"2020-11-10T11:56:43","modified_gmt":"2020-11-10T11:56:43","slug":"melleo-harmonia","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/melleo-harmonia\/","title":{"rendered":"Melleo Harmonia"},"content":{"rendered":"<p>In 1808, when Beethoven premi\u00e8red his <em>Sixth Symphony<\/em>, before a completely astonished audience, he did so by assuming a new posture, much closer to the romantic than the classical set of ideas: the almost revolutionary right to an individual musical expression.<\/p>\n<p>Between 1808 and 1811, he composed his last concerto for piano and orchestra, No. 5, <em>The Emperor Concerto<\/em>, in which the piano takes on the role of the main protagonist.<\/p>\n<p>Through this combination of Beethoven\u2019s genius with the sensitive interpretation of pianist Marta Menezes and the rigorous efficiency of the conductor Joaquim Ribeiro, which we are accustomed to seeing in his musical direction of the Melleo Harmonia orchestra, the ideal conditions are created for experiencing a musical moment of great quality and emotion. <strong>Jenny Silvestre<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1808, when Beethoven premi\u00e8red his Sixth Symphony, before a completely astonished audience, he did so by assuming a new posture, much closer to the romantic than the classical set of ideas: the almost revolutionary right to an individual musical expression. Between 1808 and 1811, he composed his last concerto for piano and orchestra, No. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":17646,"comment_status":"open","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[23],"tags_tema":[],"idades":[],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Melleo Harmonia - Centro Cultural de Bel\u00e9m Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccb.pt\/en\/evento\/melleo-harmonia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Melleo Harmonia - Centro Cultural de Bel\u00e9m Foundation\" \/>\n<meta property=\"og:description\" content=\"In 1808, when Beethoven premi\u00e8red his Sixth Symphony, before a completely astonished audience, he did so by assuming a new posture, much closer to the romantic than the classical set of ideas: the almost revolutionary right to an individual musical expression. 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