{"id":166665,"date":"2023-11-10T14:19:33","date_gmt":"2023-11-10T14:19:33","guid":{"rendered":"https:\/\/www.ccb.pt\/evento\/perola-sem-rapariga\/"},"modified":"2024-03-21T15:05:20","modified_gmt":"2024-03-21T15:05:20","slug":"perola-sem-rapariga","status":"publish","type":"tribe_events","link":"https:\/\/www.ccb.pt\/en\/evento\/perola-sem-rapariga\/","title":{"rendered":"P\u00e9rola Sem Rapariga [Pearl Earring without a Girl]"},"content":{"rendered":"<p><em>P\u00e9rola Sem Rapariga<\/em> [<em>Pearl Earring without a Girl<\/em>] builds on a fresh interpretation of <em>Voyage of the Sable Venusand Other Poems <\/em>by American poet Robin Coste Lewis, and the photographic archive of Alberto Henschel. The show explores the nature of the relationship between the surface of the body and what we are able to say about it; between caption and image; between skin and salvage. Artist Kiluanji Kia Henda intervenes in the space of the scene by installing signs that foreshadow the apocalypse.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>P\u00e9rola Sem Rapariga<\/em><\/strong><strong> [<em>Pearl Earring without a Girl<\/em>] is part of the Abril Abriu Cycle, an initiative of the Teatro Nacional D. Maria II.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-160372\" src=\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2024\/02\/logo_principal_comissao-comemorativa-50anos-25-abril-a-300x225.png\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.ccb.pt\/wp-content\/uploads\/2024\/02\/logo_principal_comissao-comemorativa-50anos-25-abril-a-300x225.png 300w, https:\/\/www.ccb.pt\/wp-content\/uploads\/2024\/02\/logo_principal_comissao-comemorativa-50anos-25-abril-a.png 482w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00e9rola Sem Rapariga [Pearl Earring without a Girl] builds on a fresh interpretation of Voyage of the Sable Venusand Other Poems by American poet Robin Coste Lewis, and the photographic archive of Alberto Henschel. The show explores the nature of the relationship between the surface of the body and what we are able to say [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":164814,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"tribe_events_cat":[23,592],"tags_tema":[],"idades":[393],"tipos":[],"temas":[],"categorias_hubspot":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>P\u00e9rola Sem Rapariga [Pearl Earring without a Girl] - Centro Cultural de Bel\u00e9m Foundation<\/title>\n<meta name=\"description\" content=\"P\u00e9rola Sem Rapariga \u00e9 a primeira de duas cria\u00e7\u00f5es que comp\u00f5em D\u00cdPTICO, projeto que resulta do encontro entre a encenadora Zia Soares e a escritora Djaimilia Pereira de Almeida que, em 2023, se prop\u00f5em desenvolver processos em que texto, dramaturgia e encena\u00e7\u00e3o se construam em simult\u00e2neo, em atrito ou em harmonia, abrindo um fluxo dial\u00f3gico entre ambas, que finalmente derive em discurso para cena.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccb.pt\/en\/evento\/perola-sem-rapariga\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"P\u00e9rola Sem Rapariga [Pearl Earring without a Girl] - 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