The collision of two worlds in a powerful symphonic afternoon: one ruled by fate, the other by damnation. Under Jos\u00e9 Eduardo Gomes, the Portuguese Symphony Orchestra and the Choir of the National Theatre of S\u00e3o Carlos explore the existential conflicts of Schnittke and Tchaikovsky, revealing how anguish turns into revelation through music.<\/p>\n
Schnittke\u2019s Faust Cantata<\/em> (1983) revisits the earliest Faust legend in a bold fusion of sacred and profane styles, Baroque echoes, and modernist intensity. Its infamous finale \u2014 a grotesque tango sung by the Devil \u2014 mocks human folly and celebrates chaos. Tchaikovsky\u2019s Symphony No. 4<\/em> (1877) confronts fate itself. 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