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METHOD:PUBLISH
X-WR-CALNAME:Centro Cultural de Belém Foundation
X-ORIGINAL-URL:https://www.ccb.pt/en/
X-WR-CALDESC:Events for Centro Cultural de Belém Foundation
BEGIN:VTIMEZONE
TZID:Europe/Lisbon
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:WEST
DTSTART:20260329T010000
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TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:WET
DTSTART:20261025T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260328T143000
DTEND;TZID=Europe/Lisbon:20260328T190000
DTSTAMP:20261101T042854
CREATED:20260316T103459Z
LAST-MODIFIED:20260316T155008Z
UID:277358-1774708200-1774724400@www.ccb.pt
SUMMARY:Playful Avenue
DESCRIPTION:As we say farewell to an exhibition that has marked the city\, we welcome children to the Playroom with activities inspired by Avenida 211: An Artists’ Space in Lisbon. Play becomes a path for discovering the museum in Workshop – A Space to Imagine\, Play and Create.\nOn level -1\, between 14:30 and 19:00\, younger visitors are invited to explore challenges that spark the imagination and transform ideas into artworks. It is proof that learning can also happen through play\, while adults explore the rest of the programme. \n  \nOpen Museum programme. \n  \n 
URL:https://www.ccb.pt/en/evento/avenida-ludica/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Ativities,Families,MAC/CCB,Mediation projects,School
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2024/10/ServicoEducativo2909_ritacarmo.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260328T150000
DTEND;TZID=Europe/Lisbon:20260328T160000
DTSTAMP:20261101T042854
CREATED:20260316T105424Z
LAST-MODIFIED:20260316T153056Z
UID:277369-1774710000-1774713600@www.ccb.pt
SUMMARY:Launch of the catalogue Avenida 211: An Artists’ Space in Lisbon
DESCRIPTION:Catalogue launch with Catarina Rosendo\, Ricardo Nicolau\, and Pedro Levi Bismark (essay authors)\, Sofia Gonçalves (design)\, Sara De Chiara and Giorgia Casara (research)\, Nuria Enguita (MAC/CCB artistic director and co-curator of the exhibition)\, Marta Mestre (MAC/CCB curator and co-curator of the exhibition)\, and Diogo Montenegro (MAC/CCB editions). \nIn keeping with the collaborative spirit that characterised the raw material-space of Avenida 211: An Artists’ Space in Lisbon\, as well as the collectivist intervention underlying the show\, MAC/CCB now publishes the catalogue bearing the same title. Edited through a kaleidoscopic approach by Nuria Enguita and Marta Mestre\, curators of the exhibition\, with the support of researchers Giorgia Casara and Sara De Chiara\, the book begins with an extensive visual essay by Pedro Tropa which\, by documenting the exhibition’s trajectory\, integratively structures the editorial framework. The graphic design by Sofia Gonçalves establishes continuities and divergences between the different categories of information presented—documentation\, archival material\, chronologies of events\, reproductions of works\, explanatory texts\, and more. Finally\, the universe of Avenida 211 is complemented by essays by Catarina Rosendo\, Ricardo Nicolau\, and Pedro Levi Bismarck\, each situating this “unrepeatable experience” within the artistic\, affective\, and socioeconomic contexts of the time and territory in which it unfolded. \n  \nOpen Museum programme.
URL:https://www.ccb.pt/en/evento/lancamento-do-catalogo-avenida-211-um-espaco-de-artistas-em-lisboa/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Ativities,MAC/CCB,Presentation
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2026/03/Av211BXcreditoTiagoFezasVital.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260328T160000
DTEND;TZID=Europe/Lisbon:20260328T170000
DTSTAMP:20261101T042854
CREATED:20260313T171346Z
LAST-MODIFIED:20260317T121923Z
UID:277134-1774713600-1774717200@www.ccb.pt
SUMMARY:Filho Único Concerts
DESCRIPTION:Vasco Alves and the Rochas da Ajuda\nA formation shaped by pressure\, friction\, and the movement of air. Since the summer of 2024\, the group has been working on polyphony from a materialist perspective through bagpipes in constant transformation. Like a weave of small pieces exploring different aspects of the instrument—its physical limits and its auditory perception—the piper friends Teresa Mendonça\, André Pires\, and Carlos Santos join Vasco Alves here. \n\nInês Tartaruga Água\nA multidisciplinary maker\, enthusiast of radical regeneration\, sculptor of sonic situations\, and advocate of the DIY philosophy\, her practice unfolds between the visual arts and performance. She has taken part in group exhibitions and public events since 2013. Água has passed through various venues\, festivals\, and institutional drifts\, and frequently collaborates with Xavier Paes\, being one of the minds behind REFLUXO and DIES LEXIC. \n\nSheila Ramirez\nSheila Ramirez (Santiago de Cuba\, 2000) is a Cuban-Angolan artist\, researcher\, and designer. Drawing on the philosophies and imaginaries of eastern Cuba\, Haiti\, and ancestral Kongo memory\, she constructs gestures from family archives\, oral traditions\, and musicalities. Her practice explores continuous renewal\, transformation\, and initiations\, addressing colonial violence in relationships between people\, ancestors\, and territory. \n\nSa🎀ra\nDrawing on the sonic plasticity of cyberspace and its archives\, sara collects samples and field recordings. Through lo-fi assemblage\, she builds a lexicon of unfolding sounds and textures while taking inspiration from the worlds of dub and hip-hop. \n  \nVaiapraia\nA self-taught transdisciplinary artist from Setúbal\, Rodrigo Vaiapraia began performing live in 2013. He created the project Vaiapraia e As Rainhas do Baile\, releasing the LP 1755 (2016)\, influenced by riot grrrl and queercore. He performs widely in festivals\, closed venues\, and independent spaces. He is co-founder of Maternidade and of the festival Rama em Flor. In 2025 he released the album Alegria Terminal. \nAmuleto Apotropaico\nFull-spectrum percussion oscillates between elastic polyrhythms and pointillist gestures off the grid\, unfolding into the modulation of polyphonic resonators. António Feiteira exchanges traditional instruments for concrete electronic percussion inspired by Milford Graves. Samples replace drums\, and muscle memories become MIDI automatisations\, in an exploration derived from the techno-gnosis of hyperreality. \n  \nOpen Museum programme.
URL:https://www.ccb.pt/en/evento/filho-unico-concerts/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Ativities,MAC/CCB,Music,Performances
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2026/03/2023_Vaiapraia.3_PhotocreditoJame_St_Findlay.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260328T190000
DTEND;TZID=Europe/Lisbon:20260328T203000
DTSTAMP:20261101T042854
CREATED:20250912T081852Z
LAST-MODIFIED:20260323T112934Z
UID:261132-1774724400-1774729800@www.ccb.pt
SUMMARY:Ana Sofia Varela
DESCRIPTION:A fado singer of singular voice and striking presence\, Ana Sofia Varela returns to the stage with a new project celebrating women and the Portuguese guitar. \nIn this concert at the Centro Cultural de Belém\, the artist offers a reunion with her roots and with the sounds that have shaped her career — now revisited through the lens of new artistic maturity. The performance will feature several guest musicians who also take part in her upcoming album — a collection of new works and traditional fados\, arranged with a balance of delicacy and daring\, memory and discovery.
URL:https://www.ccb.pt/en/evento/ana-sofia-varela-2/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Fado,Performances
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2025/07/2000x940_AnaSofiaVarela_Alfredo-Matos.jpg
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