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CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Centro Cultural de Belém Foundation
X-ORIGINAL-URL:https://www.ccb.pt/en/
X-WR-CALDESC:Events for Centro Cultural de Belém Foundation
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TZID:Europe/Lisbon
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TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:WEST
DTSTART:20260329T010000
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TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:WET
DTSTART:20261025T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260306T183000
DTEND;TZID=Europe/Lisbon:20260306T193000
DTSTAMP:20261106T073558
CREATED:20250722T102721Z
LAST-MODIFIED:20251212T120748Z
UID:265028-1772821800-1772825400@www.ccb.pt
SUMMARY:Conference-  Metamorphoses of the Baroque Concerto
DESCRIPTION:During the Baroque period\, new musical genres emerged\, among which the concerto assumed a leading role. Based on the principle of contrast or opposition between sound groups (soli/tutti or concertino and ripieno)\, but also on the dialogue and theatricality that arise from that interaction\, it can be regarded as a kind of ideal of musical Baroque. Between the late 17th century and the mid-18th century\, three main categories of instrumental concerto emerged—the concerto grosso\, the solo concerto\, and the concerto di gruppo—yet with sufficient flexibility to allow for multiple variants. \nThis lecture offers an overview of the main metamorphoses of the concerto as a musical genre during the first half of the 18th century\, relating them to their protagonists (composers\, performers\, patrons\, sponsors\, publishers) and to possible performance venues (courts\, churches\, theatres\, academies\, cafés). Special attention will be given to the creative contexts and the musical particularities of the works featured in the program. \n  \n\nThis lecture takes place in connection with the concert by Ensemble Diderot\, Bach Violin Concertos\, on March 6\, at 8:00pm.\n\n  \n 
URL:https://www.ccb.pt/en/evento/conferencia-metamorfoses-do-concerto-barroco-com-cristina-fernandes/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Conferences and Talks,Mediation projects,Music
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2025/07/2000x940_Metamorfoses.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260306T200000
DTEND;TZID=Europe/Lisbon:20260306T210000
DTSTAMP:20261106T073558
CREATED:20260109T111915Z
LAST-MODIFIED:20260305T173110Z
UID:246368-1772827200-1772830800@www.ccb.pt
SUMMARY:Violin concertos by Bach
DESCRIPTION:Bach and the Violin is the theme of this concert by Ensemble Diderot and Johannes Pramsohler —a reminder that Bach was not only a brilliant keyboard player\, but also a skilled violinist who played «purely and penetratingly». His first major appointment came as a violinist in Weimar\, leading to key roles as concertmaster and director of court orchestras in Weimar\, Köthen\, and Leipzig. \nBach’s own violin concertos were likely written for these ensembles\, where he also performed music by his admired contemporaries. Among them were Telemann and Vivaldi\, whose lively concertos for three violins highlight the vibrant musical dialogue of the time and the central role of the violin in Bach’s world. \n 
URL:https://www.ccb.pt/en/evento/concertos-para-violino-de-bach/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Music,Performances
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2025/07/crediotoJulien-Benhamou-DIDEROT-12-e1757694787852.jpg
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