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PRODID:-//Centro Cultural de Belém Foundation - ECPv5.16.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Centro Cultural de Belém Foundation
X-ORIGINAL-URL:https://www.ccb.pt/en/
X-WR-CALDESC:Events for Centro Cultural de Belém Foundation
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TZID:Europe/Lisbon
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:WEST
DTSTART:20260329T010000
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TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:WET
DTSTART:20261025T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260301T100000
DTEND;TZID=Europe/Lisbon:20260301T190000
DTSTAMP:20260504T213519
CREATED:20200305T214128Z
LAST-MODIFIED:20200305T214128Z
UID:270205-1772359200-1772391600@www.ccb.pt
SUMMARY:CCB Market
DESCRIPTION:The CCB Market — Show\, See and Do — takes place on the first Sunday of each month. From gastronomy to nature\, from offers for children to contemporary crafts\, we invite Portuguese brands and projects to show their work at the CCB. There will be workshops\, show cookings and dance classes at the end of the day. We challenge the public to participate. \n  \n\n\n\n 
URL:https://www.ccb.pt/en/evento/mercado-ccb/2026-03-01/
LOCATION:Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
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DTSTART;TZID=Europe/Lisbon:20260301T100000
DTEND;TZID=Europe/Lisbon:20260302T180000
DTSTAMP:20260504T213519
CREATED:20241017T121632Z
LAST-MODIFIED:20260313T174214Z
UID:277168-1772359200-1772474400@www.ccb.pt
SUMMARY:Learn to Play and Play to Learn
DESCRIPTION:We believe the museum is also a place to play\, discover\, and learn freely. The Play Room\, located on floor -1 of the museum\, emerges from this desire: to offer alternative ways of being in and thinking about the museum. It is a space where play\, creation\, experimentation\, and curiosity meet\, and where workshops such as “Learn to Play & Play to Learn” take place.\nDeveloping forms of mediation and engagement with art and space\, objects inspired by works in the MAC/CCB collections give rise to games and proposals that promote a more interactive and accessible visit. A “Play Room Leaflet\,” with texts and activity suggestions adapted to different age groups\, accompanies the experience.\nParticipation is open\, with a member of the Education and Mediation team on hand to assist\, suggest pathways\, and accompany discoveries. Open to families—proof that learning also happens through play! \n  \n 
URL:https://www.ccb.pt/en/evento/learn-to-play-and-play-to-lear/2026-03-01/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260301T100000
DTEND;TZID=Europe/Lisbon:20260301T183000
DTSTAMP:20260504T213519
CREATED:20241122T094618Z
LAST-MODIFIED:20260420T082659Z
UID:266280-1772359200-1772389800@www.ccb.pt
SUMMARY:An Atlantic Drift
DESCRIPTION:An Atlantic Drift charts and unravels paths through the arts of the 20th century\, specifically the period from 1909 to 1977\, seeking to disrupt preconceived notions and established canons by bringing together references and artistic forms that are usually kept apart. The exhibition follows an erratic chronology\, marked by digressions and temporal leaps\, thereby revealing connections and confrontations between the European and American shores to suggest potential relationships and drifts often overlooked or absent from art history. \nThe Atlantic\, particularly from the mid-20th century onward\, becomes a crucial space for transits and exiles\, fostering new geopolitical affinities that have shaped modern subjectivities with repercussions that persist to this day. As a reinstallation of the permanent collection\, An Atlantic Drift presents a selection of Portuguese and international artists spanning painting\, sculpture\, drawing\, installation\, and graphic arts\, mapping out art as part of world history and portraying modernity as a multifaceted eruption of social\, artistic\, and technological transformations. \nFrom Pablo Picasso to Amadeo de Souza-Cardoso\, Lourdes Castro to Marcel Duchamp\, Andy Warhol to Wifredo Lam\, Maria Helena Vieira da Silva to Joaquín Torres-García\, Jackson Pollock to Malangatana\, and Lucio Fontana to Ana Hatherly—a total of around 160 artists—the exhibition unfolds in chapters that reveal the complexities of historical and artistic developments in the 20th century. This period\, marked by two World Wars in Europe and their aftermath\, as well as the revolutionary and decolonisation processes of the 1970s\, is also seen as a time of transformation that invites rethinking through new narratives. \nAs a permanently evolving permanent exhibition\, An Atlantic Drift offers a unique presentation of the collections on loan to MAC/CCB—mainly the Berardo Collection\, but also the Holma/Ellipse Collection\, the Teixeira de Freitas Collection\, and the Portuguese State Contemporary Art Collection. Nonetheless\, it also incorporates loans from collections in Portugal\, allowing for reimagining the place of Portuguese art within 20th-century artistic developments. \n  \nCurated by Nuria Enguita (Artistic Director at MAC/CCB) and Marta Mestre (curator at MAC/CCB)\nScientific advisor: Mariana Pinto dos Santos \n  \nGuided exhibition tours \n \n◾ Cross-cutting\, Tour in English\nAn Atlantic Drift. The Arts of the 20th Century Based on the Berardo Collection + May I Help You? Posso Ajudar? Arts and Artists from the 1970s Onwards\nSaturday\, june 13\, at 3:00pm\nFree participation with prior registration at servico.educativo.museu@ccb.pt \, and purchase of a museum entry ticket.
URL:https://www.ccb.pt/en/evento/an-atlantic-drift-20th-century-art-from-the-berardo-collection/2026-03-01/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Exhibitions,Exhibitions,MAC/CCB,MAC/CCB
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2025/03/Antonio-JorgeSilvaUma-Deriva-Atlantida-L-CCB-4K.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260301T100000
DTEND;TZID=Europe/Lisbon:20260301T183000
DTSTAMP:20260504T213519
CREATED:20251114T143022Z
LAST-MODIFIED:20260413T090506Z
UID:262355-1772359200-1772389800@www.ccb.pt
SUMMARY:May I Help You? Posso ajudar?
DESCRIPTION:The everyday question “May I help you?” was used by Andrea Fraser in a performance that addressed the complex institutional relationships within the art world. The same question may also be turned towards the museum itself: what kind of help is actually being offered\, and what kind of connection can still be expected in an era of increasing fragmentation\, dissonance and impermanence? The exhibition draws on five decades of artistic production\, from the 1970s to today\, and features works by ninety artists—including Ad Minoliti (in the museum’s main hall)\, Alberto Carneiro\, Carla Filipe\, Doris Salcedo\, Helena Almeida\, Gabriel Abrantes\, Gilbert & George\, Jeff Koons\, Júlia Ventura\, Kara Walker\, and Richard Serra\, among many others. The works are drawn from collections on long-term loan to the MAC/CCB (the Berardo Collection\, the State Contemporary Art Collection\, and the Teixeira de Freitas Collection)\, and are complemented by new commissions from Portuguese artists. \n  \nCurators Nuria Enguita and Marta Mestre\nCuratorial Adviser Raphael Fonseca (Denver Art Museum) \n  \nThe exhibition “MAY I HELP YOU? POSSO AJUDAR?” Arts and Artists from the 1970s Onwards\, inspired by Andrea Fraser’s performance of the same name\, explores the diversity of representations\, presences\, and narratives within the artistic field\, questioning the idea of a single\, linear direction in art history. Through dialogues between works spanning the last five decades\, the exhibition examines what artists are and do\, and the social roles they imagine for themselves. From the ruptures that redefined art in the 1970s to the accelerated digitalisation of the present\, it highlights a range of heterogeneous formats\, functions\, and intensities. \nNuria Enguita\nCurator of the exhibition and artistic director of MAC/CCB \n  \nArtists: \nGabriel Abrantes\, Helena Almeida\, Giovanni Anselmo\, Robert Barry\, Taysir Batniji\, Lothar Baumgarten\, Bernd & Hilla Becher\, Sara Bichão\, Irma Blank\, Alighiero Boetti\, Christian Boltanski\, Olaf Breuning\, Daniel Buren\, Alberto Carneiro\, Gabriel Chaile\, Adriano Costa\, Jim Dine\, Jimmie Durham\, Carla Filipe\, Fischli & Weiss\, Dan Flavin\, Fernanda Fragateiro\, Andrea Fraser\, Gilbert & George\, Simryn Gill\, Fernanda Gomes\, Félix González-Torres\, Dan Graham\, Hans Haacke\, David Hammons\, Ana Hatherly\, Mona Hatoum\, Kiluanji Kia Henda\, Thomas Hirschhorn\, Jenny Holzer\, Rebecca Horn\, Sanja Iveković\, Ana Jotta\, Donald Judd\, Mike Kelley\, Yazan Khalili\, Jeff Koons\, Joseph Kosuth\, Jannis Kounellis\, Barbara Kruger\, Louise Lawler\, Sol LeWitt\, Glenn Ligon\, João Marçal\, Agnes Martin\, Cildo Meireles\, Mario Merz\, Ad Minoliti\, Matt Mullican\, Bruce Nauman\, Senga Nengudi\, Chris Ofili\, Gabriel Orozco\, Damián Ortega\, Pino Pascali\, Silvestre Pestana\, Raymond Pettibon\, Antonio Pichillá\, Sandra Poulson\, Robert Rauschenberg\, Doris Salcedo\, Alan Saret\, Julião Sarmento\, Allan Sekula\, Richard Serra\, Jim Shaw\, Susana Solano\, Haim Steinbach\, Frank Stella\, Wolfgang Tillmans\, Rosemarie Trockel\, João Pedro Vale + Nuno Alexandre Ferreira\, Júlia Ventura\, Vídeo nas Aldeias\, Kara Walker\, Franz West\, Yonamine\, Bruno Zhu. \n  \n  \n Visit to the exhibition\n \n◾ Cross-cutting\, Tour in English\nAn Atlantic Drift. The arts of the 20th century based on the Berardo Collection + May I Help You? Posso ajudar? Arts and Artists from the 1970s Onwards\nSaturday\, june 13\, at 3:00pm\nFree participation with prior registration at servico.educativo.museu@ccb.pt \, and purchase of a museum entry ticket. \n  \n 
URL:https://www.ccb.pt/en/evento/exhibition-may-i-help-you-posso-ajudar/2026-03-01/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:Exhibitions,MAC/CCB
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2025/11/May-I-Help-You_MAC_CCB2-creditoAntonioJorgeSilva-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260301T170000
DTEND;TZID=Europe/Lisbon:20260301T180000
DTSTAMP:20260504T213519
CREATED:20250912T091015Z
LAST-MODIFIED:20260220T175012Z
UID:246444-1772384400-1772388000@www.ccb.pt
SUMMARY:Mahler’s Das Klagende Lied
DESCRIPTION:BENEFIT CONCERT  \nThe CCB Foundation and OPART will donate the entire revenue from this performance to the Association of Philharmonic Bands of the Municipality of Leiria and to Sport Operário Marinhense\, two institutions whose cultural presence is deeply rooted in the area recently affected by Storm Kristin. This initiative stems from a genuine desire to support the recovery of their infrastructures\, which suffered significant damage\, and to ensure that the cultural work they carry out in their communities can continue with the same dedication and close connection as always. \n* \nFrom the first creative impulse to the unfinished farewell\, this concert traverses the work of Gustav Mahler\, beginning with the testament of his final symphony and ending with his youthful vision. \nThe Adagio from Symphony No. 10\, composed in the Summer of 1910\, is the only movement substantially completed of the work left unfinished by death. A dissonant and intense score\, it reflects the awareness of finitude and the composer’s inner conflict\, becoming a singular testimony of his ultimate symphonic gesture\, whereas Das Klagende Lied\, written between 1878 and 1880\, already reveals a young Mahler fascinated by theatricality and by the orchestral palette of timbres. \nA specialist in the late-Romantic German repertoire\, conductor Graeme Jenkins returns to Lisbon to lead the Orquestra Sinfónica Portuguesa\, the Coro do Teatro Nacional São Carlos\, and a distinguished cast of singers. A concert retracing\, in retrospect\, Mahler’s creative life. \n  \nPre-concert talk by Alexandre Delgado.
URL:https://www.ccb.pt/en/evento/das-klagende-lied-by-mahler/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:2025–26 Season,Music,Performances
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2022/08/O-NAVIO-FANTASMA-CORO-TNSC-OSP_SITE-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20260301T170000
DTEND;TZID=Europe/Lisbon:20260301T180000
DTSTAMP:20260504T213519
CREATED:20250912T093245Z
LAST-MODIFIED:20260219T160029Z
UID:264028-1772384400-1772388000@www.ccb.pt
SUMMARY:Ti Chitas – The Voice that is a Mountain Orquestra Barroca D’Aquém Mar
DESCRIPTION:Opera + Conversation – Premiere \nThis is an opera about the voice — the voice as memory\, as a boundary between the public and private spheres\, between spaces of intimacy and social connection. It tells the story of Catarina Sargenta\, known as “Ti Chitas” (1913–2003): shepherd\, singer\, and adufe player. Born in Penha Garcia\, in the municipality of Idanha-a-Nova\, her musical artistry and creativity were documented through numerous phonographic and cinematic records. \n  \nIn this performance\, strobe lighting is used. \n 
URL:https://www.ccb.pt/en/evento/ti-chitas-a-voz-que-e-uma-montanha-de-teresa-gentil/2026-03-01/
LOCATION:Centro Cultural de Belém\, Praça do Império\, Lisboa\, Lisboa\, 1449-003\, Portugal
CATEGORIES:2025–26 Season,Accessible programme,Fábrica das Artes,Families,Opera,Performances,School
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