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X-WR-CALNAME:Centro Cultural de Belém Foundation
X-ORIGINAL-URL:https://www.ccb.pt/en/
X-WR-CALDESC:Events for Centro Cultural de Belém Foundation
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DTSTART;TZID=Europe/Lisbon:20210827T190000
DTEND;TZID=Europe/Lisbon:20210827T210000
DTSTAMP:20260417T145359
CREATED:20200930T085018Z
LAST-MODIFIED:20210823T151950Z
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SUMMARY:Castro\, by António Ferreira | Directed by Nuno Cardoso
DESCRIPTION:Castro (1598)\, a play by poet António Ferreira\, marks the first incursion of Nuno Cardoso into a canonic piece of Portuguese theatre\, Portugal’s first classical tragedy. He intends to inhabit this literary fiction\, which itself offers a very particular version of the historical drama/legend/myth of star-crossed lovers Pedro and Inês\, making us «see with other eyes». An immense stage-house-country confronts us with the tangible intimacy of characters that are in thrall to themselves and their intransigence. In Castro\, like in Danton’s Death\, the issue of utopia (as regards love\, as well as revolution) plays a crucial role. Its dark reverse is exposed here: love/desire and power as addiction and chaos\, as a blindness that «tarnishes/ The briliant rays of the ancient glory». And how that tarnishing impairs the powers of decision and replicates itself\, tainting with blood and revenge the family’s fabric\, via a peculiar dislocation of Castro’s focal point from Inês to Pedro’s mirror-like relationship with his father\, King Afonso IV.
URL:https://www.ccb.pt/en/evento/castro-de-antonio-ferreira-encenacao-de-nuno-cardoso/2021-08-27/
CATEGORIES:Performances
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2020/09/FOTO-PRINCIPAL-Castro_1©JOAO-TUNA_TNSJ_SITE.jpg
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DTSTART;TZID=Europe/Lisbon:20210827T190000
DTEND;TZID=Europe/Lisbon:20210827T200000
DTSTAMP:20260417T145359
CREATED:20210318T175919Z
LAST-MODIFIED:20210701T111313Z
UID:37804-1630090800-1630094400@www.ccb.pt
SUMMARY:Henrique Furtado Vieira
DESCRIPTION:This play has no beginning and no end. One person talks. Three people engage in dialogue. Infinite bodies engage in dialogue. \nWhat form did you give to these dialogues? A brightly-coloured parachute. Do you consider yourself to be a form or an event? I feel that I have a form\, but this has been constantly changing ever since I was conceived. The event of my life is the life of my form. What form were you born with? We are all born as spheres. But then our shapes become increasingly angular. Some\, the squarest of us\, become cubic. A cube is a military sphere. Why do things have shapes? Why are things agglomerations of matter that\, when they reach the gravitational limit of their agglomeration\, begin to take on “shapes”. So\, without gravity\, would there be no shapes? No\, because there wouldn’t be any eyes. Why don’t clowns have any parents? Because there are too many egos inside just one clown. Who is it inside me that decides to dance me? Which is beyond your perception. Who is it outside me that decides to dance me? The Big Bang\, the Sacred\, darkness\, eclipses and the fourth dimension. How do you reach the fourth dimension? Probably with a bodily vision of the universe.  Cosmic eroticism. I’m not very erotic… try fishing in other waters. In what’s out of reach. Whose reach? The human being’s… the artist’s… But mainly the spectator’s. Do you like riddles? Very much. Even when you can’t find any answers? Especially when I can’t find any answers. Why? I’ve got great sleight of hand. A magician? More or less. A magician without any accessories. And\, even so\, you can pull rabbits out of a hat? Metaphorical rabbits\, yes. And besides rabbits? The gesture. The body. Smoke. [suspension] If we think of space as solid\, bodies are like gaps in that space. Who said that? Me. And Tony Smith. And many other people who also conversed with Tony Smith. With me\, you mean. Yes\, with you\, Tony Smith. What’s your name? Tony Smith. Why do you go round in circles? Because clowns live in a circle. What is an idea? It’s a preconception. What is an idea? It’s a preconception. What is an idea? A provisional outline. What is an idea? A place where time is suspended and expanding. Like the Big Bang. And this play\, what is it about? About you. About me. About delaying the end of the world.
URL:https://www.ccb.pt/en/evento/henrique-furtado-vieira/2021-08-27/
CATEGORIES:Performances
ATTACH;FMTTYPE=image/jpeg:https://www.ccb.pt/wp-content/uploads/2021/07/site_27ago_dialogos_C-BrunoSimao.jpg
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DTSTART;TZID=Europe/Lisbon:20210827T213000
DTEND;TZID=Europe/Lisbon:20210827T223000
DTSTAMP:20260417T145359
CREATED:20210609T174743Z
LAST-MODIFIED:20210702T094631Z
UID:48569-1630099800-1630103400@www.ccb.pt
SUMMARY:The Last Waltz (1978)
DESCRIPTION:On Thanksgiving Day\, 1976\, The Band gave its farewell concert at Winterland in San Francisco. On hand to help say goodbye to this influential rock group were some of the most acclaimed musicians of the late 1960s and ’70s. This film is not only a vibrant documentary of that historic evening\, but also a commentary on the rock world at the time. Most of the picture is concert footage of The Band and their guest performers\, highlighted by interviews with members of the group\, who eloquently articulate their personal involvement in the history of rock and roll.
URL:https://www.ccb.pt/en/evento/the-last-waltz-1978/
CATEGORIES:Cinema
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