It is because we choose the movies to the theatre 9 times out of 10.
It is because we always long for that tenth time.
It is because we love Shakespeare. It is because we can’t stand Shakespeare.
It is because the father said: hurry up slowly.
It is because we hope to have something in the end.
It is just for pure curiosity, to see if it worked out.
It is because we are suddenly convinced that it will work out.
It is because we like the surface.
It is due to the combination of abundance and enthusiasm.
It is pure and hard theatre.
It is consumable.
It is light. Less calories. A still better flavour.

Will it not be necessary to forget the theatre, to like it? To forget that we are in the theatre, to forget how it works? And if we then "forgot" the idea of the performance, concentrating merely on advertising it? If instead of the play, the audience saw the creation of a trailer of a performance? What is left? What will the new scale of possibilities be like?

VVOITEK ZIEMILSKI stage production
casting CARLOS CUSTÓDIO, EDUARDO FRAZÃO, MARIA JOÃO MACHADO, MARTA INOCENTES 
PATRÍCIA LEAL production
PATRÍCIA LEAL and SÉRGIO BRÁS D’ALMEIDA cinematographic conception
JOÃO BORDEIRA music / sound effects
VERÓNICA CONTE scenography and aesthetical co-ordination
DUARTE SOUSA lighting effects
LIZ VAHIA production

Supports: ETIC, Centro Cultural Malaposta, Artemrede / Auditório Municipal do Barreiro, Teatro Útero, Andar Filmes, Sociedade Musical União do Beato, Espaço Anónimo, Aurélio Ramos / Wella Portugal, Soupinto, Lab Cartaxo, Museu Municipal de Faro, Sou - Oficina Movimento, Forum Dança

Artistic residences: CENTA, Espaço do Tempo, DeVIR-CAPa